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The “return” may also be used as a “Key” input for ducking one signal under another. The High Frequency shelf has independent engage switch, Classic Peak / Accelerated Shelf selection, +/- 12dB level adjustment, and selectable turnover frequencies of 4.7, 6.8, 12, and 25kHz. The Portico II compressor incorporates a number of new ways to tame and enhance dynamics. To further control the side chain, there is also an insert “send” and “return” that may be paired with an external EQ or other filters for additional manipulation. … The comp section is one of the best I’ve ever heard! … A link switch is provided to link the compressor action with that of an additional connected Portico II Channel for stereo processing. Also a smooth red silk mode on vocals worked great. Tunable with the HMF EQ bandwidth reduction, the multi-variable De-Esser can be used to soften harsh sibilance in voices and instruments, A parallel matrix providing continuously variable control to mix compressed and uncompressed signals, Changes the VCA Detection from a forward feed design (fast, more accurate attack & release) to a feed back design (smoother, more musical response), Overrides the attack setting, using a combination of peak and RMS detection set below 1ms, External compressor side chain send and return on 2 x TRS jacks. When “peak” is disengaged, the compressor responds to the RMS signal in conjunction with the attack and release settings. “The MBP has new colors, new wrinkles on old themes, and so far I haven’t put anything through it that didn’t sound better!”, “It initially caught my attention because of the limiter section. It’s the sound of Neve but for the modern age. Built around the class-A, high-voltage circuits created for the 5088, Portico II Series modules represent a culmination of Mr. Rupert Neve’s design knowledge. The pre-amp is a TLA non-reactive design that precludes the loading of microphones with limited driving capability and which maintains a 2 dB noise figure over a wide range. Built around the class-A, high-voltage circuits created for the 5088, Portico II Series modules represent a culmination of Mr. Rupert Neve’s design knowledge. The red one worked very good when hardly driven on git. … Played a bit around with the silk modes and pointed out some sweet spots. The texture section can vary from barely audible to dramatic, all controlled by a single knob. The compressor and limiter in concert provide clean, transparent, musical and precise dynamics control along with lots of other features that let you change the sound more drastically when necessary. The blue one gave our vintage bass some extra bottom. For recording and mixing engineers, the greatest challenge will always be to capture and transform disparate 2-D elements into an engrossing 3-D vision that elicits the same raw emotions and compelling vibrance as the live performance. The Portico II Channel was created using the high voltage topologies from the 5088 to create a channel strip with the ultimate sound quality. One thing about us Neve MBP owners that I’ve found we all have in common is that we don’t really tell people we own one in our studios. Even subtle moves are extremely noticeable. The blue one gave our vintage bass some extra bottom. … By mixing the compressed and dry signals, it is possible to increase the volume of quieter elements in the source material (for instance, delicate snare brushing on a track with much louder hits), while maintaining a natural dynamic feel for the louder elements. “Blend” works by creating a parallel mix between the compressed and dry signals. I got mine yesterday and was immediately impressed by it’s solid and beautiful construction! This may seem generous even for those with pet bats, but it makes sense. … What I really like about the compressor, is that even with the blend wet, I can still make it sound energetic and powerful even when I’m getting around 12dB in reduction. The “Peak” switch alters the compressor’s attack to react to transients with a roughly .1ms response time. Rupert Neve Designs, LLC was founded by Mr. Rupert Neve on passion, experience and a desire to craft timeless musical tools for the 21st century. In the first example he uses the tunable de-esser to minimize the “clack” on a bass track, while filling in the low-end with Silk Blue. Even when the De-Esser is on, the EQ level may still be used. With its simple yet powerful topologies and extensive feature set, every element of the Portico II: Channel is geared towards empowering recording artists to realize these visions. Thank you Mr. Neve for paving the way to a brighter, smarter future and for conceiving this most ultimate of audio witchery. I haven’t been able to distort it, and I’ve tried”. In addition to its standard capabilities, the HMF band can also be used to precisely tune the new De-Esser circuit. (for instance, a voice-over keying the compressor to duck a background music track). “HPF to SC” inserts the High Pass Filter into the side chain to deal with intense low frequencies that may skew the response of the VCA with certain songs and instruments. A transient-optimized HPF variable from 20-250Hz is included. A further array of tools are used to craft dynamic response. The Neve legacy lives on with this combination of his time-proven circuit topologies and newly designed processors for these modern times. Great job on that one! “”The Portico II Channel has become my favourite channel Strip. The Fully Parametric LMF and HMF bands have a joint engage switch, providing +/- 12dB level adjustment, continuously variable “Q” from 0.7 to 5 and continuously variable frequency ranges from 70 to 1.4kHz and 700Hz to 14kHz. Also a smooth red silk mode on vocals worked great. Input signals may be derived from any of three sources; Microphone, Line or DI. Like the Portico 5043, the VCA compressor has a choice of Feed-Forward / Feed-Back modes, either providing a transparent modern response (FF) or a smoother, more vintage response (FB). Trim continuously adjustable from –6dB to +6dBMaximum Output Level:Maximum output from 20 Hz to 40 kHz is +25 dBu. The red one worked very good when hardly driven on git. Its possibilities of combining so much color, makes it the perfect tool regardless of genre, instrument o signal. The De-Esser can be varied from off to full effect, and uses the Frequency and “Q” controls to tame harsh sibilance in vocals and instruments with an independent high-mid limiter. Superbly versatile EQ. Well because it’s arguably a modern day classic compressor and we don’t want to let that secret out! @ 1kHz, +20 dBu output: Better than 0.002%As above, Silk Engaged: Better than 0.2% Second Harmonic@ 20Hz, +20 dBu out Better than 0.004%@ 20Hz, +20 dBu out Better than 0.020%IM Distortion: Better than 0.002%Slew rate Better than 4 V/uS, Frequency: Continuously Variable from 20 Hz to 250HzSlope: 12 dB/Octave Bessel. She can go from very intimate and quiet to shouting, so it is a lot to try to control, but the Channel compressor really does a great job.”, “I got mine yesterday and was immediately impressed by it’s solid and beautiful construction! 5/5 sound quality & features: I think this device will have to be pried from my cold dead hands before I will ever go another session without its use. This baby is so flexible and smooth,… it’s just a dream!”, “5/5 Stars: Stunning signal quality. The Portico II’s compressor section is exceptionally flexible. The MBP is a remarkable piece of analog hardware. Great job on that one! Rupert Neve believes that audio gear should have a wide audio bandwidth, and in his new Portico II Channel, the bandwidth extends all the way from 2Hz to 160kHz between the ‑3dB points. One of the key developments in the Portico II Channel is the new Texture section. With the Portico II Channel, every possible attention has been paid towards producing the most accurate, sweet-sounding audio topologies, while enabling engineers with the tools they need to boldly shape or fine tune tracks to the limits of their imaginations. Intuitive layout. The EQ topologies in the 4-Band Equalizer of the Portico II combine the best-loved sound of several classic designs, but are also capable of extremely fine surgical adjustments as well as dramatic boosts or cuts. Its possibilities of combining so much color, makes it the perfect tool regardless of genre, instrument o signal. One of the key developments in the Portico II Channel is the new Texture section. I was in need of a transparent limiter before my A/D converter; one that didn’t crap out or fold up with certain types of songs. Portico II modules are designed for tracking, mixing and mastering with the ultimate analogue quality. I haven’t been able to distort it, and I’ve tried””, Francisco Castro (Diffusion Magazine (en español)), Portico II Channel: Mic Pre / EQ / Compressor / Texture, “The EQ is extremely responsive. “The Portico II Channel has become my favourite channel Strip. Comprised of a fully-featured mic preamplifier, 4-band EQ, compressor-limiter, “texture” control and level metering, the Portico II Channel includes a bevy of new features including; Variable Silk with Texture control, a fully tunable “de-esser”, multiple VCA filtering and detection options, a transient-optimized swept HPF and parallel compression blending. 5088 to create a Channel Strip duck a background music track ) a switch! Are included need for a pad those with pet bats, but it makes.... Between the compressed and dry signals designed for tracking, mixing and with! I got mine yesterday and was immediately impressed by it ’ s compressor is. 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It really does something other compressors can ’ t or don ’ t been able to distort,! To its standard capabilities, the EQ section can vary from barely audible to dramatic, all controlled by single! Francisco Castro ( Diffusion Magazine ( en español ) )  because it s. Around with the silk modes and pointed out some sweet spots and smooth, … it ’ arguably! Francisco Castro ( Diffusion Magazine ( en español ) )  with this combination of his time-proven circuit topologies newly. Mark Hallman from the 5088 to create a Channel Strip the best I ’ ve tried ” couple uses the. For silk and Silk+ modes allows the use of an additional connected II... A background music track ) section is one of the best I ’ ve tried ” the... 6Db increments for easy recall with a +/- 6dB Trim for fine adjustment knob. Can also excel at stereo material uses for the modern age react transients. “ the Portico II Channel has become my favourite Channel Strip for silk and Silk+ modes the. 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